Composer: Fernando J. Obradors () Teresa Berganza, soprano; Felix Lavilla, piano. Aix-en-provence festival 18 July El Vito. El vito is a traditional folk song and dance music of Andalusia whose origins can be traced back to the 16th century. Its name refers to the “disease” known as St. Fernando (Ferran) Jaumandreu Obradors (–) was a Spanish composer . Obradors His orchestral work “El Poema de la Jungla” is inspired by The Jungle Book stories by Rudyard Kipling. Many of his contemporaries left Spain to .

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Another interpretation where the rhythmic vigor relies much more on crispness and precision than in weight of accents.

This blog was created to provide a place to discuss the music and texts of vocal performances of various styles and languages. Obradods brings so much nuance to the character, and what a piano part! Sunday, March 22, “El vito” by Obradors.

Underlying the melody is a sense of danger, and I love how Berganza draws the listener in. A driving, perpetual introduction, a vocal line that is very dance-like as well as seductive.

Fernando Obradors – Wikipedia

Newer Post Older Post Home. Berganza’s ability to maintain the crisp, piano sections of the vocal line e then sing in full legato later create an exciting performance. This really highlights the fact that the guitar is so important to the entire Spanish Art Song genre. Dylan Bunten April 9, at 9: This seems like a really fun song to perform. Very subtle and a fantastic final note from her. Shannon McAleb April 5, at I want to play this piece now!!


Ashleigh April 9, at 2: It was also nice to hear a performance with a different dialect than Spanish from Spain or Mexico, which is what I’ve typically heard this piece performance.

The piece is very atmospheric and has the feeling of being in the tavern, as is the origin of the piece. And I vkto like Teresa Berganza’s facial expressions and body language in here. Her body language was great as well.

On with the dancing, on with the dancing, ole! As is the case with all of Teresa Berganza’s performances that have been shared, she has an amazing expressive power and genuine performance persona that is impeccable.

Emily April 7, at 8: It was so nice to hear it performed by such an expert vocalist. It was playful without feeling affectated. It is such an effective performance. April Phillips April 5, at Katherine Curtis April 10, at 8: She is precise, but so comfortable rl relaxed, creating natural rubato within each phrase. The drama ibradors excitement is gripping and very much sounds like something that would appeal to bull fighters.

Connie April 6, at The piano is very reminiscent of the guitar with the repetitions, and the vitk uses her face very well to interpret the text. Emma Lynn April 8, at 5: I want to learn this piece!


Canciones Clásicas Españolas, Vol.3 (Obradors, Fernando)

Yoshi April 10, at 9: I really love the rhythmic qualifies in the piano, and how they are mirrored in the fito line. I really liked the different articulations that were used in the work as well with sections being more legato and others that rl more snappy! I wonder if the quickly repeated notes that are so difficult on the piano are an example of “punteado” as was described by Kimball in the reading.

I enjoyed the rhythmic energy and drive of this music. I love this piece!!! Stop your teasing, sir, else I’ll blush!

Thank you for posting it for us. Amalia Osuga April 6, at 9: Another thrilling piece that keeps you on the edge of your seat!

I love this piece vio have Sierra’s sparkling eyes in mind as I was listening. For the time being, the topics are organized according to geographic locations.

It reminds me of Flamenco music, and I can see her move her shoulders slightly as if she’s controlling vtio from breaking into Flamenco dancing.